She's down Monday morning
Waking up to the rain falling
She can't carry on this way
But she knows how it goes
Yellow red green red and yellow
She knows something's got to change

Keep Walking
 
 
 
 
"A remarkably assured, hugely enjoyable set... each carefully crafted track deserves praise."

Emily's third album 'Believer'' is available from Amazon, HMV and Play.com. Hear song-clips, read lyrics & order your copy here.
 
 

Emily's 'Believer'
photo-diary
 
 
 
"Music and lyrics of an artist that goes leaps and bounds beyond..."

Emily's second album 'Keep Walking' is available from Amazon, HMV and Play.com. Hear song-clips, read lyrics & order your copy here.
 
 

Emily's 'Keep Walking'
photo-diary
 
 
 
"a hauntingly beautiful melodic voyage through the ebbs and flows of an individual's existence in this world"

Emily's debut album 'Stranger Place' is available from Amazon and Play.com or direct from Shaktu Records. Hear song-clips, read lyrics and order your copy here.
 
 

Emily's 'Stranger Place'
photo-diary



 
     
ALBUM REVIEWS
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Maverick Magazine    
     
Full of vibrancy and blossoming with an abundance of talent and passion, music for the soul...

I absolutely recommend this album! What a wonderful way to start my New Year of reviews with this masterpiece of an album. Featuring beautiful lyrical content, magically combined with vocals that are moving and compositions that fill the soul with resolve. With influences including Bach, Bob Marley, and Buddha, the ultimate soul music, this is full of vibrancy and blossoming with an abundance of talent and passion.

The opener 'Free' is a ballad of power and has the ability to move. This singer-songwriter's style is captivating and exciting and her vocals are powerful with the ability to do the softened love song and the poignant ballad. 'Anything You Do' has to be one of my favourite songs on the album, it's a beautiful love song and is marvellously shaped with vocals that are feminine and resound like a lullaby about your head.

Emily's perspective on the world is formed partly of the many spiritual beliefs she holds close to her heart but also of the love and live nature of her personal life. This is conceptualised throught this entire album and for that reason it's intriguing and mesmerising to absorb some of these wonderful songs. They run deep.

'Believer' is another wonderful song, painting an image of the idea that if you believe, then anything is possible. 'Cos I could be counted, not counting. And I could run and hide away, hide away. I try to be wanted and wanting, to keep away the loneliness, the lonely'.

'Brave New World' is about reaching your limits and finding your own path in a world that is breaking boundaries. 'You shouldn't walk that way, you shouldn't try to call. You shouldn't cry at all, and you shouldn't, you shouldn't fall. You shouldn't walk that way, you shouldn't talk that way. You shouldn't try to say, in a brave new world.'

I think this song is a milestone for the album, and for writing in this way. The message is poignant, pointing out that in a world where anything is possible, how can we be continuously told that we're not doing things the right way, that whenever we fall it's a failure.

[LB]

*****
 
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R2 (Rock'n'Reel) Magazine    
     
A relatively new voice to get excited over, Australia-based English singer-songwriter Emily Maguire has already impressed enough to have been invited to support Eric Bibb, The Blue Nile, Paul Brady and Don McLean. Believer is her third album, the follow-up to 2006’s Keep Walking, which helped establish Maguire as a talent to be reckoned with.

A remarkably assured, hugely enjoyable set, Believer highlights Maguire’s strength as a writer of insightful, intelligent lyrics allied to a keen ear for melody. Her wonderfully warm but strong, supremely expressive vocals are the icing on the cake: this girl is here for the long haul, a true artist whose passion for her music is reflected in the care taken over arrangements and instrumentation.

Each carefully crafted track deserves praise but the beautifully judged love song ‘Anything You Do’, the restless, rockin’ ‘I’d Rather Be’ and the spiritually seeking title track reveal the diversity and depth of her talent.

[Colin Hall]

****
 
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Guitarist Magazine    
     
The third and most accomplished album so far from this unusual singer-songwriter mixes a suitably breathy vocal approach with several styles. Ballads such as Wanting Time are truly lovely, but it's the likes of I'd Rather Be that'll have Sheryl Crow nodding sagely into her Tia Maria and Lucozade.

*** 1/2 		 
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Uncut Magazine    
     
A series of live shows opening for such smart tunesmiths as Glenn Tilbrook and Roddy Frame goes part of the way to explaining why Maguire's soft-focus folk pop is more worthy of attention than many in the crowded female singer-songwriter field. The voice boasts the eloquent diction of old hands like Sandy Denny or Judy Collins, but there's a modern urban savvy and bite to 'I'd Rather Be' and 'Brave New World'. Classically trained on piano and cello, Maguire puts her schooling to good use on the opulent title track and the exquisite 'Lighthouse Man'.

[Terry Staunton]

***		  
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The Mirror    
     
There's a steely resolve and individuality on the third album from Australian-based, English-born, classically-schooled Maguire, who delivers reflective meditations and energetic lust for life romps with equal aplomb. A class
act.

***		  
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Folk & Acoustic Music Exchange (USA)    
     
I have to admit to initially being a tad disappointed by Maguire's third release. Sure the songs are accessible and…wait a minute—that's it! That's what was bothering me about Believer so I put it aside temporarily. Since all established artists deserve more than just another listen, I set my subjectivity aside (a quirk of species which I find separates us from the divine all too often) and then "believer" opened up for me.

*Believer" is certainly no less melodic and mature as her previous discs, '05's Stranger Place debut and it's mighty '08 follow-up Keep Walking. Maguire's honed sense of songwriting is evidenced by the transcendent 'Lighthouse Man', while the halcyon Fleetwod Mac-ish I'd Rather Be leaves her competition in the outback dust of her adopted continent and sports a Nelson Wilbury guitar lick to boot.

As a classically trained eco warrior, Maguire brings both passions to the fore. Woke Up brings "the ocean to our door" while her emphatic classical muse colors the pop movements of the luscious Autumn Leaves. Her vocals, recognizably expressive from album one, get better with age, and when she sings "I'm fifteen, I feel older than God" (Start Over Again) you know immediately and rightly you're not within earshot of the your run-of-the-mill songwriter. No, no, you certainly are not.

Stalwart bassist and co-producer Christian Dunham leads guitarist Luke Potashnick and drummer Geoff Dugmore to deliver the subtlety and crunch (Believer) when the lady want it. Maguire has been and continues to be the real deal. You owe yourself a listen.

[Mike Jurkovic] 		  
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Sunday Mercury    
     

Emily Maguire is back with a set to rival Keep Walking, one of the Sunday Mercury albums of 2008. From the breezy pop of I'd Rather Be to the folksy Autumn Leaves, this will appeal to fans of KT Tunstall and Amy McDonald. She adds a little grit for opener Free, and goes gently green in Brave New World. But all of them pale beside the towering title track which somehow makes a drama out of a minor key change and emerges as one of the songs of the year.

  
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Classic Rock Society Magazine    
     
What a great selling point? Her debut album was financed by making organic goats cheese. Her home is an eco shack in Oz made from potato sacks, tin and recycled wood! However take away all the unique background and you are still left with another fine album brought to life by a classically trained and talented musician. I seem to remember covering Maguire's debut album and being impressed then. 'Believer' is not your middle-of-the-road songwriter's album - as evidenced on the balladic rocker and title track - but it is an album full of emotion and true imagination. Naturally it does contain voice (hypnotic and enticing), and acoustic guitar stuff because that's what singer-songwriters do best, but there is a depth and enough enjoyment for the CD to have travelled from the studio CD player to my car where it will get plenty of 'ear' time! A wonderful wordsmith and a real talent!  
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The Shropshire Star    
     
Beautiful self-penned songs will lull the listener into a deep and relaxing trance-like state. This is music to wash away worries to. It comes as no surprise that Maguire has previously supported the likes of The Blue Nile. Her ethereal and gracious music occupies the same orbit. Stylistically, Maguire mixes genres, using country, rock and roots as the backdrop to her haunting vocals. A really beautiful record.

****		  
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Bluesbunny    
You can't help but be cynical. A singer songwriter that leaves England for a goat farm in Australia the returns to England with some new songs and renewed ambition and then gets discovered. That's the story of Emily Maguire and who am I to disagree with a press release.

"Believer" is her third album. Third albums are notoriously difficult. Fame either grabs the songwriter and leaves them with only songs about lawyers and limousines or fame avoids them and they descend into self loathing. Fortunately, neither option seems to apply to Emily Maguire. This album instead displays a warm, and rather endearing, sentimentality. Her voice just soothes your ears. It really does. There were moments - as with "Anything You Do" or "Woke Up" - when that reviewer's cynicism just got swept away being replaced by a curious feeling of satisfaction. It's the sort of effect that Shelagh McDonald or Janis Ian has on me.

Whilst there is undoubted intelligence in her song writing, the presentation of the songs is unthreatening almost as if to disguise her true message. Emily Maguire sounds close to the mainstream but, given how well this album stands up to repeated plays, she is way too good to be dismissed as mere radio fodder. Pay attention to her - you will be rewarded.

  
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Direct Current    
     
Six years ago Emily Maguire left her London home, guitar in hand and headed for the outback of Australia, looking for a change in her life at a time of an emotional struggle. She had already discovered Buddhism as a centering influence in her life and, with some encouragement of new friends and peers, began the process of recording a few of the dozens of songs that she'd written. The result was Stranger Place, a surprisingly mature album of lyrical folk/rock. Word of mouth and gigs in her new homeland and back in London helped spread the word of a promising new singer and songwriter. By the time her second album Keep Walking was released in 2008, Maguire was receiving solid critical notice and a growing cult fan base.

New album Believer, out in the U.K. and Australia November 16 (no U.S. deal yet) isn't as much a revelatory listen as it is an affirming one. There's nothing remotely edgy or hipster-ironic going on here, just finely crafted songs that have that certain So-Cal Eagles/Fleetwood Mac aura to them -- midtempo, pop/rockers and bittersweet ballads all delivered with Maguire's warm, gently sanded vocals and spiritual lyrical themes. "I'd Rather Be" typifies the Believer style: chunky guitar riffs, mid-tempo rhythm kick, simple but memorable melodic structure and breezy, sing-along chorus. This is the basics done exceedingly well and a welcome reminder that sometimes playing it straight -- and straight down the middle -- has its own unpretentious rewards. 		  
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Peterborough Evening Telegraph    
     
Classically trained English singer-songwriter Maguire is now based in Australia living an eco-friendly life. Citing Bob Marley, Bach and Buddha as her influences, her charming folk-pop songs have won her plenty of plaudits. Her third album should cement her status.  
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Collected Sounds (USA)    
     
As soon as I opened this CD I remembered reviewing Emily Maguire before. Strangely what I remember the most is that she lived in a the countryside and made her own cheese. Well, that and that I really dug her music.

This album is great and I’m not sure why it’s taken me so long to actually put pen to paper and write about it.

Emily’s style is in the vein of Sarah McLachlan (Autumn Leaves), but I’d also say that there are times when she reminds me of Beth Orton (Brave New World), or Thea Gilmore (Lighthouse Man).

Lighthouse Man is the single and I can see why, it’s pretty catchy.

I also like the title track, Believer. But honestly the whole album is really good. If you like one song chances are you’ll like them all.

[Amy Lotsberg]		  
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Music-News.Com    
     
Twenty seconds in and the hairs on the back of my neck are standing fully to attention. This soft and rich voice is pouring out of the speakers and she is singing in an impassioned and passionate manner with no effort or strain.

Her vocals are perfectly matched to the lyrics and her observations on people and on her life and the world around her are both personal and universal - sometimes forehead-slappingly obvious to boot.

I am hearing echoes of Laura Nyro here and even Nick Drake but the music is original, difficult to pigeon-hole and moving: this isn't folk but it isn't pop or "Singer-Songwriter" either though it has elements of all of these. What it is is sophisticated and adult and witty and involving. This is the music that the four characters in "Sex & The City" should be listening to when they are alone and not trying to impress each other.

Musically this is very, very good and the strings especially are delightful but the voice is the thing that will bring you back again and again - that and the songs.

This is one of those albums that does not benefit from the descriptions of a hack such as myself - experience this for yourself and benefit from a wonderful listening experience.

[Andy Snipper]

*****
  







_____________________________________
Daily Express (UK)    
     

Call her a folk singer or singer/songwriter, Emily Maguire’s debut album is an unashamedly emotional collection of songs.The album deals with a 10-year period of virtual immobility resulting from a car crash. Maguire, who now lives with her snake in a tin shack in the Australian bush, has a voice that slips between the hushed and sultry and the brightness of a Brill Building starlet.

[Robert Spellman]

****

  
_____________________________________
Financial Times (UK)    
     
Emily Maguire, a Cambridge-born singer turned Australian goat farmer, has found herself catapulted to the foothills of fame by this, her second album. 'Keep Walking' collects songs of survival, as in the title track's taxonomy of "better days and wetter days/red-letter days"; what lifts it above other singer-songwriter strum is her grasp of dynamics, rising from folky murmurs to anthemic stadium choruses in the space of a few bars. "Someday", set in a field on the Isle of Purbeck, shows this gift at its best.

****		  
_____________________________________
Courier Mail (Australia)    
     
Emily Maguire is a lovely singer who sits comfortably in the new folk movement, spearheaded by her fellow Englishwoman Thea Gilmore. But Maguire now lives in a shack on a Kenilworth goat farm in the Sunshine Coast hinterland which gives her a different perspective and perhaps a crisper sound.

Like Gilmore, this is infectious stuff that grows with every listening, opening up more intriguing and engaging lyrical byways and some just right poppy hooks. Her own introduction to pop-folk is apparent (she is a classically trained cellist who mastered guitar from Bob Marley songbooks) but it’s her gorgeously understated vocal and dramatically arresting lyrics that get under your skin.

From the weekend party narrative of the title track (“She’s high Sunday night/Another line will see the light”) to the very funky and direct TV To Take It Away (“There’s bills to be paid and plans to be laid/Trinkets to trade and lands to invade”) you can dip into this like a magnificent Turkish mezze sprawling across a lunch table or pack it away for a picnic-for-one in a spot of rare beauty just for yourself. Another reason to believe there is a folk revival going on and it’s worth your attention.

[Dennis Atkins]
  




_____________________________________
Indie-Music.Com (USA)    
     

It's a good time for female singer-songwriters at the moment – from Mandi Perkins to Brandi Carlile, there's finally a reason to replace the Tracy Chapman CD on your stereo. With her latest self-produced album Keep Walking, English-born Emily Maguire can add her name to this impressive roll call.

Now living in Australia with her partner Christian Dunham (with whom she runs the record label Shaktu Records, through which this album is released, and who plays bass on the album), Maguire lists her three main influences as Bach, Bob Marley and Buddha. Far from having a fixation with the letter B, it's the perfect description of her music – classical, talking-to-the-people storytelling, sitting on just the right side of relaxation.

"Something" introduces you to the world of Maguire, and there are far worse ways to begin a journey. With a voice that mixes the best of Joni Mitchell and British songstress Dido, it's a lilting reminder of how fleeting moments in life can be. When she sings,

Cos something has happened
Like a tear in the corner of my eye
Something in the air, I'm so scared
Of the endless, friendless goodbyes ...

it's with the knowledge that we all can relate exactly to what she's singing.

Title track "Keep Walking" is a wonderful cross mixture of an upbeat melody tied to a darker lyric, which tells of a woman who needs cocaine to make sense of her life, even though she knows it could easily end that very life with one bad line. As Maguire herself states,

But she's high Sunday night
Another line will see the light ...
And you know something's got to change ...

Yet as much as her strength lies in slower-paced eulogies, Maguire also knows how to pick up both the pace and the mood with songs like "Standing." Opening with a guitar riff not too dissimilar to the Lou Gramm classic "Midnight Blue," it's a message full of hope and how remaining positive, even on the darkest days, is what we should all strive for.

Using an enchanting combination of cello and violin with the more traditional instruments of choice, Maguire is able to at once sound familiar yet different. And it's these instruments that make tracks like "TV To Take It Away" all the more powerful, with its warning about television desensitizing us to the true horrors around us, with the despondent opening lyrics

People keep dying on TV and I don't know where
I should be crying but somehow I just don't care ...

This is the beauty of Emily Maguire's music – in one instant she can be assaying us with the sweetest melody, yet in another she can be breaking our hearts with nary a care. With a coveted slot at the Cambridge Folk Festival this July in the UK, as well as Keep Walking picking up airplay in her adopted Australia, it's a bittersweet love affair that others may soon start to covet, and deservedly so.

[Danny Brown]
www.indie-music.com

 





































_____________________________________
Folk & Acoustic Music Exchange (USA)    
     
"And there's kids to be raised / and soldiers to slay / Preachers to pray / And TV to take it all away".

With lyrics like that, Maguire instantly becomes an artist to listen for. And one can easily hear why she's getting the buzz throughout the UK and her adoptive Australian wilds. No sir, this isn't college girl journal entries. This isn't your standard singer/songwriter stuff that the world sucks and woe, woe, woe. Maguire thinks these things out, and though she may not offer solutions (c'mon, she's human after-all) she does offer camaraderie, that we're in it together and together we'll make a difference.

Besides her lyrics, what I appreciate most about Maguire is that you can't pin her influences down. You'll hear a lot of contemporary and the greats of the past in her music, but it's never derivative. "Cos your life is a loan you can't pay / You're providing for kids you can't save" she offers on the effortlessly melodic All That You Wanted. From the uplifting title track we have this everyday, though poetic observation: "And there'll be better days and wetter days / Red-letter days, you pray there's nothing wrong".

Bassist Christian Dunham and drummer Shane Nesic provide Maguire a spacious and rhythmic palette for her invigorating vocals, full guitar, and one woman string ensemble. A classically trained cellist and pianist, Maguire understands how music moves the listener, and never fails to do so.

[Mike Jurkovic]

 















_____________________________________
Babble And Beat (USA)    
     

Emily Maguire is an extremely gifted English singer-songwriter-instrumentalist based on a farm in the Australian bush. ‘Keep Walking’ is her 2nd album.

Emily’s voice is gorgeous! Think of Tracey Thorn’s (Everything But The Girl), Dido’s and Paula Cole’s vocals equally mixed. The lyrics are candid, warm, and endearingly heart-on-sleeve. The musical arrangements are lovely as well… and they convey emotion & depth just as much as Emily does vocally and lyrically. Christian Dunham plays the bass, Shane Nesic plays the drums and Emily plays the cello, viola and violin.

All 12 tracks are pleasing but my personal favorites on ‘Keep Walking’ are:

All That You Wanted’ put a lump in my throat and brought tears to my eyes. This track is absolutely beautiful but at the same time it’s a powerful song about desperation and disappointment. This is such a personal song, and was obviously written about someone specific, but I’m confident that this track would strike a personal chord with anyone at some level and at some point in their lives.

‘One Good Thing’ – I really love this track! It’s more rock n’ roll than the others and although it’s about heartbreak it sheds some insight in a humorous way.

‘TV To Take It All Away’ – For me, this song shakes you into thinking about your reality: what’s really important, time that’s been wasted, and deceit versus truth.

‘Passing By’, ‘Wanted’, 'Keep Walking', and ‘Back Home’ are other highlights.

[Stacy Sardelli] 

 













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Rambles.NET (USA)    
     
A musician who's passionate about both Bach and Bob Marley?

Emily Maguire is another of those classically trained artists who has chosen to bring her skills across genres with a high degree of success. Maguire is an English singer-songwriter who lives on a goat farm in the Australian bush where she and her partner Christian Dunham operate her own record label.

Her 2004 debut album, Stranger Place, opened the door to prestigious venues across Australia and the UK. Keep Walking is a worthy followup to that first album and is exposing her to a wider audience, including in the U.S.

Classically trained as a cellist and pianist, Maguire taught herself guitar from Bob Marley songbooks. She started writing and singing in a folk venue while laid up with a bout of illness and, eventually, led her to a new career.

Her voice is soft and warm, though it can raise a few octaves when the passion warrants. There are elements of Paula Cole and Dido in her singing. Her voice may remind you of some other singers, but there's nothing derivative about her music.

All 12 tracks are solid. Some personal favorites are the title track, the funky "TV to Take it Away" and the lovely "She Knows." 		  
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Folk & Acoustic Music Exchange (USA)    
     

Three totally killer songs kick off Maguire's debut. The throbbing The Real World; the utterly transcendent The Borderline ("If we are like water then which drop is me") and the captivating If I Could See You.

Think about that for a sec. Any singer/songwriter would readily revisit Robert's crossroads to sign a deal with the devil for an introductory salvo like that. Add the extremely sad fact that most artists today won't have three killer tunes in a lifetime and you can see and hear how far ahead of the game you are with Stranger Place.

Though it's easier here to spot her influences (Ani DiFranco, Sarah McLachlan, Natalie Merchant) than on her equally fine and defining follow-up Keep Walking, Maguire's striking, real world lyricism renders Sarah and Natalie mute, while her emotionally textured arrangements—brought to life by bassist Christian Dunham and drummer Shane Nesic—never wander into Ani-like self indulgence.

Best listened to as a complete work of intelligent passion, other haunt-your-head tracks include Somebody, I Thought I Saw, Love Song and Stranger Place.

[Mike Jurkovic]

  












_____________________________________
Spiral Earth (UK)    
     
We all take decisions to follow certain paths in life everyday. One such day Emily Maguire decided to give up her London flat and head for a shack in the Australian outback. Whilst based there she recorded her debut album the aptly named 'Stranger Place.' It proved to be a wise decision as it established her as a critically acclaimed artist down under. Then following a tour back in blighty Emily returned to her new home to record 'Keep Walking.'

Initially the albums breezy facade betrays the fact that copious amounts of planning and playing went into this. Emily drew on existing skills as a trained pianist and cellist, then with borrowed violin and viola she creates her own string ensemble. Recruiting a bassist and a drummer to compliment her own guitar and voice completed the desired set.

'Keep Walking' the title track has already been playlisted on Australia's ABC radio. It warrants its place there displaying plenty of commercial muscle. Emily says her intention was to 'give people the same feeling you get when you go and look at the horizon above the sea and you get a sense of silence, space and possibility.'

Striving to fulfil this mission Emily does highlight some hefty universal themes of struggle, love and loss. This tends to work to best effect when her lyrics are more oblique. 'Back Home' benefits from some thoughtful moments,

'So I go with the river, go where the river goes. And I flow with the river, I Know what the river knows.'

Whereas when tackling more topical matters on 'TV To Take Away' things become a little to literal. Not unlike a news report. There's also a slight tendency to fall for some obvious words in the form of light, night, fight. Not enough though to really detract from what are songs that could be helping Emily into the mainstream spotlight.

Evolutionary dots could easily be joined from Joni Mitchell to Suzanne Vega to 'Keep Walking.' There's Joni's love of Jazz and Suzanne's jagged guitar lines all in one sassy package. It's ultimate strength lies in when the best elements converge. 'Someday' has the ideal swell of strings and longing lyrics that could move the most hardened cynic.

Emily Maguire doesn't attempt to re-invent the wheel. And why should she? There's already plenty of attention coming her way. We all sometimes need a sense of silence, space and possibility don't we?

[Dave Kushar]

 		  


























_____________________________________
Collected Sounds (USA)    
     
First I want to thank Emily Maguire and every other artist who includes his or her lyrics in the liner notes. I love to sit down with a record on the first listen and read along with the music. It somehow makes it so personal and intimate. This way I am able to really pay attention to the lyrics instead of thinking, 'oh that maybe sounded cool, what did she say?'. So I got to listen to this one the way I most enjoy. Headphones, and lyrics in hand.

"Passing By" is a lovely song that has some funky rhythm stuff going on. Then Emily's sweet subtle voice enters and it's magical. You're sucked in. Fuggetabouttit. The more I listen to this track the more I like it. It's especially good on headphones.

According to her site, she is classically trained in piano and cello, added violin and viola and recorded all the parts herself to create her own string section. I tell ya, the cello and other strings really add to these songs.

"TV to Take it All Away" is a powerful song about how we know things are happening (war, hunger, crime) but it's still kind of removed from us so we can ignore it. Even if just a little. It's kind of got an eerie feeling. "Back Home" has some lovely harmonies that really show case her warm and comforting voice.

This whole recording is very solid. While there are songs I like more than others they are all good and special in their own way. This is a great collection of songs and Emily Maguire is a class act.

[Amy Lotsberg]

 
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Womenfolk (USA)  
   
Operating her own record label from a charming shack within the Australian bush, one will find the lovely Emily Maguire.

Classically trained as both a cellist and pianist and self-taught with a guitar, Maguire eventually grew tired of the grey skies of London and uprooted her life to the countryside of Queensland, Australia, where she continued to write her songs and prepared for the release of her first album.

Stranger Place arrived in 2004 on her own, Shaktu Records, and won wide critical acclaim throughout Australia and opened the door to some prestigious venues. Most notable perhaps was opening for Gail Ann Dorsey, renowned bassist for David Bowie. She would then spend the next couple of years touring in support of Stranger Place, much throughout the U.K. and Australia.

Last year, Maguire encorporated violin, viola and cello into the recording of her follow-up, and literally became her own string ensemble, rounding out a sound that is made complete with the talents of bassist Christian Dunham and drummer Shane Nesic.

'Keep Walking' arrived earlier this year and has quickly made its impression. Following its launch in New York, ABC Radio in Australia quickly added the title-track track to its national playlist and Maguire has already booked another tour for the summer to support the record.

Dense with emotion and rich with thought-provoking lyrics, 'Keep Walking' is a sublime album to experience. Maguire’s voice possesses that rare timbre that gracefully streamlines its accompanying melody. It soars beautifully in the socially conscience ‘TV To Take It Away’ and carries the uplifting energy in the motivating ‘Keep Walking.’ On ‘Passing By,’ a listener can sense a tinge of mystery and eerieness, much in part to the song’s beautiful strings and Maguire’s cool delivery. And on ‘Wanted,’ Maguire’s cello seeps a deep hum that can easily instill chills. It doesn’t take long to realize you’re listening to something truly great.

This year will no doubt be a special one for Emily Maguire. She’s currently scheduled to attend the Cambridge Folk Festival in July and is planning an acoustic tour during the fall throughout the U.K. Hopefully, her growing audience of North American fans will have an opportunity to hear this remarkable songwriter in person. But until then, they have two incredible albums to enjoy by this incredibly gifted artist.

[Robbie McCown] 

  



























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IndepenDisc Music Club [New York] Issue #93    
     
One of the things I really enjoy, and don’t get the time to do often enough, is sitting down, throwing on the headphones, and getting totally lost in the music and lyrics of an artist that goes leaps and bounds beyond. Emily Maguire is fabulous.

'Keep Walking' by Emily Maguire is an album that mixes hard, realistic social commentary from the perspective of one whose fragile state of mind will not be tied down to the norm and the acceptable response to which may or may not be under one’s control, with amazing musical construction built around electric acoustic guitar, bass, drums and strings.

Using studio production that is astounding and string arrangements that ring every drop of emotion from the songs, Emily (vocals, guitars & strings) and Christian Dunham (bass) have fashioned a decades and genre spanning piece of work that should be admired as a whole as much as for each individual song. Rounding out this group is Shane Nesic (drums), who has been playing with Christian as a rhythm section for over 20 years, and they fit Emily like a glove. Here, the tightness of the players resounds throughout; there is nary a wander as they drive the music and arrangements for maximum effect.

Packaging individual perspectives of everyday problems - from the most intimate to those experienced in general by all - Maguire and Co. touch us with the harrowing torment that these situations can produce. They do this all from the mindset of an individual who, at times, can be pushed to the edge. Yet, it is the expression of these conflicting scenarios and the solutions presented that push our involvement to a higher level than that of your average 3 minute pop song. Mixing a Suzanne Vega/Beth Orton type vocal/vocal arrangement with a solid writing sensibility a la Joni Mitchell/Joan Baez, while at times skirting Portishead territory, this album doesn’t let up until the final note.

Anchoring the CD, 'TV To Take It Away' lays out the decline/fall of mankind and TV’s role in not only bringing it to us, but also how it is there to convince us to ignore it. Using rich tribal drums with a powerful backbeat bass staying underneath to lend even more power to the acoustic picking, a tone of dire straights is set before the shallow echo of a distant, unattached vocal mocks the oblivious and the privileged in a social protest that haunts and shames us into further evaluating our social/global/human conscious.

“And there’s kids to be raised / And soldiers to slay /
Preachers to pray / And TV to take it all away”

“yes, it’s all OK / And it’s all alright /
yes, it’s all right.”

Built around this are 11 more songs that are each of significant importance to the overall make up of the album. The Title Track, 'Keep Walking', has an uplifting, mystical sound that celebrates the solace in a walk that also bears its own set of problems. 'Passing By' uses an ancient Gaelic sound with a downbeat backbeat to express the narrator’s questioning of the possible cruelty of God, and how it burdens the mind of a good person. In contrast, 'Standing' offers us an anthem to the spirit of man. Soaring, angelic backing vocals add chills to this feel-good, Champion-the-Heart, homage to those who weather the storm and can still stand and raise their fist high in the air.

'Lately' is an edgy Eleanor Rigby with string arrangements that echo ELO style classical leanings in a rock sensibility. It uses an operetta vocal (which Freddie Mercury would give anything to come back and perform) to throw it in the face of an ex who she’s not going to stick around for. While, 'Wanted' builds the perfect beast with Christian and Shane’s solid rhythm section underscoring Emily’s drenching vocals and by using a Cello and resounding electronic accents to construct a paranoid schizophrenic view of the need for solitude and the need to be loved. And, 'One Good Thing' breaks out a secret agent sinister, Talking Heads minimalist approach that channels both Grace Slick (Jefferson Airplane) and Martha Davis (The Motels) in a song about almost losing it. Where, just when you think it’s going over the edge, they pull it back again, perfectly mirroring the plot.

'All That You Wanted' is where the brilliance of Emily Maguire (along with Christian and Shane) breaks through and shines with a passion that is simply astounding. The intense music and powerful vocals get the song caught in your throat and bring a tear to the eye. Its tragic beauty has the ability to choke you up in a manner reserved for weddings and funerals. Then, 'Back Home' continues the poetic beauty of song with a nod to the circle of life. Gorgeous acoustic picking brings forth a flow that leads to a final chorus of double tracked harmony that needs to be heard to be appreciated. I can find no words to describe its exquisiteness.

One of the things I really enjoy, and don’t get the time to do often enough, is going to a club to see, hear, and get totally lost in the music and lyrics of an artist that goes leaps and bounds beyond. I had the pleasure of attending the CD release party for Keep Walking by Emily Maguire.

Emily Maguire is Fabulous.

[Gary Vollono]

 































































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Time Off Magazine [Australia]    
     
Bass-heavy drumming and questioning lyrics set a dark tone on album opener ‘The Real World’, but there are many moments of genuine light on Emily Maguire’s Stranger Place.

In fact, there’s a strong sense of mortality and spirituality throughout the English born, Sunshine Coast-based singer/songwriter’s record. Maguire sings of existence (‘The Borderline’), the slow decay of society (‘I Turned On The News’) and devotion (‘Falling On My Feet’). Rich, organic sounds dominate, as do Maguire’s strong vocals, which sit prominently in the mix.

Acoustic folk-pop is the order of the day, but Maguire plays around enough with the genre to keep it appealing. ‘The Borderline’ and ‘On The Radio’, for instance, strip things back to a gentle lull, while ‘You Do’ incorporates a Latin guitar feel. ‘I Thought I Saw’ is a pop highlight, a rare instant hit among a collection of songs that are likely to prove themselves more as time goes by.

[Sarah Jones] 

  




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Scene Magazine [Australia]    
     
She has the kind of vocals that will melt your stereo. Emily Maguire came to Australia for a holiday last year and hasn't left.

Taking time out to record in Australia, she has released a smouldering hard-hitting and socially aware album. Breathless and slinky, her voice is similar to that of Sarah Harmer, Sinead O'Connor and Joni Mitchell.

Blending her love of classical music (she is classically trained on cello, piano and flute) with passion for beautiful poetry, this singer-songwriter has released an organic album with simple acoustic riffs ('The Borderline' and 'On The Radio') and bluesy melodies ['Stranger Place'].

If she doesn't melt your stereo, she's sure to melt your heart.

 

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Tsunami Magazine [Australia]    
     
In direct contrast to the girly-pop schmaltz currently infesting the airwaves, Stranger Place combines wisdom, hard hitting social commentary and beautiful poetry.

Strong, thought-provoking lyrics are the focal point, with bass, drums, multiple guitars and haunting cello painting a vivd background of musical imagery. Although often referred to as a female Bob Dylan in lyrical terms, her musical influences range from Beethoven to Bob Marley via Joni Mitchell.

In so many ways Stranger Place defies categorisation, spanning musical boundaries instead. From this debut album of original songs, it is clear that Emily Maguire is a consummate artist.

[Lark]

  

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Beat Magazine [Australia]    
     

When you listen to Stranger Place, you can feel the pureness and passion with which it was produced and completed. It is an observation, a story, and a hauntingly beautiful melodic voyage through the ebbs and flows of an individual's existence in this world.

An English singer-songwriter now living in the 'back of beyond', Maguire's style is a mixture of funky jazzy blues with some Joni Mitchell, Paula Cole and Natalie Merchant-style sounds.

Stranger Place is definitely worth checking out if you enjoy a female acoustic sound with strong focus on the words and melody. And anyone who teaches themselves to play guitar using Bob Marley songbooks has got to be good!

[Jessica Ball]

  




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