Bath is starting to feel like south-east Queensland – the sun shining every day.  But here it’s spring not autumn, and I see the blossom on the trees and hear the wood pigeon outside my window every morning.  I am so glad to be here.  Considering the months in 2023 when that wasn’t the case, I’m feeling particularly blessed right now.

The avalanche of songs I was writing in January has stopped but I’ve been touring with my friend Jody, singing and playing and meeting such lovely people.  There are so many times when things have been hard and I’ve wondered why I do this work but then I get messages that mean the world to me, like the beautiful poem I received this morning from someone who saw me in Wiveliscombe at the weekend.  He made my day.

So slowly but surely I’m starting to rebuild my confidence and am really looking forward to the public gigs and private house concerts I’ll be doing in the next few months.  Thanks so much to Louise in Exeter and Ian in Wiveliscombe for hosting us last weekend.  If you would like me to come and perform in your living room or local village hall, please get in touch.

I’m doing public gigs in Birmingham then Bradford-on-Avon next week, followed by Camden in London the week after.  If you’re free and in the area, it would be great to meet you too.

I hope the sun is shining where you are and all’s well in your world.

xx

I had such a great time singing my songs unplugged in the basement of a hairdressers in Soho last week with Jody doing a fantastic opening set.  Organised by Folk & Roots in the tradition of unplugged folk gigs, the room was packed.  I’m looking forward to my next London gig in Camden at Green Note (check my gigs page for the ticket link).

Emily performed unplugged to a packed audience at Cuts in Soho last Thursday night, supported by Jody Prewett. For those who couldn’t get tickets you can catch her at Green Note in Camden on Wednesday 16 April but please book soon as the capacity is very limited.  Emily’s next public gig is at the South Wraxall Club near Bradford-on-Avon on Friday 21 March. Tickets are available on the door.

Thanks to everyone who came to my gig at Sandy Hill Arts last night – I had such a great time and a huge relief as you can probably tell from this stream-of-consciousness poem I wrote the week before about my performance anxiety…

If I was a bit wiser
I would say hold onto
Yourself, there is
No need for the
Knife, the rope,
Such crisis, such
Catastrophising and
Yet on the night
I find I’m standing
Tall and when I
Open my mouth
A sweeter sound
Comes out and perhaps
None of those faces
Watching me are
Seeing the survivor
The angst, the anxiety
That leaves me
Crippled, strung up
Like a Christmas turkey
Unable to think
Clearly, see clearly
Understand that
In the grand scheme
Of things, singing
Songs is not life-
Threatening, it is
What it is
A moment of clarity
The chance to uplift
Comfort and inspire
A moment to realise
My own courage
No guns, no bombs
Just me and a guitar.

Emily and her friend Jody Prewett performed to a packed room at Sandy Hill Arts in Corfe Castle last night.  Thanks to everyone who came and to Melissa Viney and the other trustees for having us.

Emily is mainly doing private house concerts this year so if you have a living room and some friends who might like to hear her songs, please get in touch with her (click here for more info).

Her other public gigs in the coming months are Soho Folk and Blues (6 March – sold out), South Wraxall Club (21 March), Red Lion Folk Club, Birmingham (9 April), The Dog & Fox Inn, Bradford-on-Avon (12 April), Green Note, London (16 April), Liberal Hall, Orpington (26 April), Gaunts House, Wimborne (17 May) and Twickfolk, London (22 June).  Details can be found on Emily’s gig page.

After a writer’s block lasting 20 months, Emily has started writing songs again – “a glacier turned into a waterfall” as she describes it.  You can read her latest blog here.  She has now recovered from her kidney operation and is looking forward very much to performing again, supported by her friend and neighbour Jody Prewett, starting with a gig on Saturday 22nd February at Sandy Hill Arts which is based in the beautiful Dorset village of Corfe Castle.  All Emily’s gig dates for the coming months can be found here.

Yesterday I went swimming for the first time since my kidney operation at the beginning of December.  I only managed 10 lengths but it was bliss.  I’ll have a scan in June to find out if the operation has been a success.

The rest and recovery time went okay and I had a lovely Christmas with a friend at home and then on New Year’s Eve I had no internet so I decided to try writing a song (I had only written one song since my arrival from Australia in April 2023).  I have now written 25 new songs in the 3 weeks since then.  It feels like the glacier inside has turned into a waterfall.

I’ve started doing my singing practice again and am getting ready for my gigs which are starting next month with a public concert at Sandy Hill Arts, Corfe Castle in Dorset (22 Feb).  I’ll be touring with my neighbour and friend, the fantastic singer-songwriter and acoustic guitarist Jody Prewett.

I’m now booked up until July, mostly with private house concerts, but please check my website gigs page to see what public gigs I’m doing and please spread the word if you have friends locally.  And if you know a friend with a living room that can fit 10 people or more, or a retirement community who might enjoy my songs or even that you might be willing to help me host a gig at your local village hall, please do get in touch and we can make a date for later this year.

I hope all’s well in your world.

xx

At the end of November, Emily and Jody greatly enjoyed performing at a retirement community in Bristol followed by a private house concert in Atworth near Bath.  Emily then had a major kidney operation in December.  She is recovering well.

Wishing you all a very happy Christmas and New Year.

Feeling rather daunted by the prospect of 3 robots cutting up my left kidney in Southmead Hospital at 8.30 tomorrow morning, I am instead focusing on the absolute delight of rediscovering comic duo Flanders and Swann.

My grandparents had their seminal live recording ‘At The Drop Of A Hat’.  Donald Swann wrote the music and played the piano, while Michael Flanders (who was in a wheelchair due to polio) wrote the lyrics and was the compere.

I remembered them the other day while having Sunday lunch in Bath with the famous (and infamous) producer/composer/arranger/engineer David Lord who has been recording my vocals for my next album.

Of course I looked them up on Spotify and found them immediately (Spotify, all is forgiven :).  David then said he’d known Donald Swann back in the day which I have to say impressed me more than any of his other claims to fame.

Anyway if you need cheering up, check out ‘At The Drop Of A Hat’, particularly the first track ‘A Transport of Delight’, ‘The Gnu Song’, ‘Design For Living’, ‘The Reluctant Cannibal’, ‘Madeira, M’Dear’ and also ‘A Song of the Weather’ (appropriate this time of year).

Hope all’s well in your world.

xx

I love Spotify.  Listening to music on it in the past 20 months has saved my life –  literally (mainly thanks to playlists from my friend Ecki who I wrote about in my previous blog today).

But today I remembered why I also hate Spotify… I received my ‘2024 Wrapped For Artists’ email.

The summary?

28,000 streams by over 4,000 listeners in 94 countries this year.

How much money have I been paid for that?

Basically sweet FA.

Fans are always wide-eyed and horrified when I tell them that not a penny from their Spotify premium is coming my way.  Rather that the major record labels are the ones making a killing.

Fortunately I’m not making music for money.  I make music to hopefully make other people feel better, and that makes me feel better.  Worth it every time someone listens to one of my songs on Spotify.  So please keep listening, but just be wise to the BS that I’m being paid for it.

If you want to support my music apart from coming to my gigs, please head to https://emilymaguire.bandcamp.com/

xx